Dichterliebe for High Voice Op. 48 - Schumann Opera learned first-hand about the performance

learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg

took this simple

go down in history as prime examples of Romantic character pieces in their idealization of nature as well as an expression of escapism against the backdrop of the revolutionary events of 1848/49

Hungarian Melody b minor D 817

Brahms completed his Cello Sonata op

Dichterliebe for High Voice Op. 48 - Schumann Opera learned first-hand about the performanceRobert Schumann once described his lieder as a mirror image of his self. This applies particularly to his compositions from Heinrich Heines Buch der Lieder. What began as a lyrical intermezzo, then developed into Dichterliebe, a work with which Schumann identified the ardour of his love for Clara Wieck. This work still presents an enigma to performers; how Schumann interpretes Heines irony in his music is often discussed. But one thing is certain: