That biography is largely captured by several other NHK docs, two of which are available on Max as well: 2013s The Kingdom of Dreams and Madness , directed by Mami Sunada, which was similarly constructed around the making of The Wind Rises , and 2016s Never-Ending Man , also directed by Arakawa, which followed Miyazaki through the development of his first CGI creation, Boro the Caterpillar. (Another, the four-part 10 Years With Hayao Miyazaki , is available on Crunchyroll.) Hayao Miyazaki and the Heron retroactively turns the two mildly hagiographic Max docs into a sobering triptych, functioning as a kind of conclusion to a sustained look at a flawed creative genius who routinely defies age and pulls himself out of retirement to work on his art once more until he comes up to the limits of whether he can do so much longer
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